Tag Archives: Legend of Zelda

Breath of the Wild: The Balance of Gameplay and Storytelling

Also known as “A Few Post-Game Thoughts.” As such…

Warning: This post contains spoilers for Breath of the Wild.

 

After finishing the main quests, does anyone else feel like starting a new file and playing through all of this again?

The Legend of Zelda: Breath of the Wild is truly a unique experience in the series. I’d hesitate to call it my favorite entry, if only because I enjoy each of the 3D titles for various reasons, but it is certainly memorable, compelling, and most importantly, tons of fun.

A bridge between 2D and 3D Zelda is long overdue, and while the story suffers a little bit in conjunction with the open world exploration, realistically, it was to be expected, and it is not nearly as noticeable as I feared. While I, as a writer and consumer, am personally very story-driven, I understand when the plot must take a back seat in favor of engaging, immersive gameplay, and Breath of the Wild delivers on that front in all but a few of the puzzles utilizing motion control. And even then, the developers were smart enough to often allow for multiple avenues to complete said puzzles.

 

For example, in the Myahm Agana Shrine, the following puzzle shown above can be solved fairly easily by simply flipping the area upside-down and then catapulting the ball across with an even flick of the wrist.

 

This is easier said than done, however, and I will grant you that the motion controls can be downright infuriating at times. That said, I would argue that it is very difficult to create a challenge that does not have the capacity to become frustrating at some point. In my case, most of the time, I felt so satisfied when I finally completed the tricky shrines, and even more so if I managed to succeed in my first few attempts.

But back to the story. In this game, we have sacrificed any character Ganon (or in this case, Calamity Ganon) could have potentially had. Unlike in Wind Waker where, despite his crazed demeanor, Ganondorf did express concern for his people (as well as contempt and jealousy for the easy life that Hylians lived, thanks to the Goddesses), in Breath of the Wild, he has (off-screen) supposedly renounced his rebirths in insurmountable rage and hatred, in order to take revenge and destroy the land of Hyrule completely. This is still interesting, but a lot less personal, and it also demonstrates that this game would not be a good entry into the Zelda series for newcomers.

It’s simpler, in essence, but at the same time still quite nuanced and well woven.

Over the millennia, the various Link and Zelda’s deeds have become great legends, but to ensure that Ganon will always be defeated, the ancient Sheikah tribe built great technology – the shrines, towers, Gaurdians, and Divine Beasts, most prominently – to protect the land and stand against him, supporting the chosen heroes. In the last 10,000 years, Calamity Ganon was once again defeated, but the technology was left to break down or be buried, as the people grew more confident in their prosperity.

Much later, but 100 years prior to the start of the game, Princess Zelda threw herself into researching and recovering all of these technologies. She depended on them far more than any incarnation before her, because she greatly doubted her powers and her inner strength, considering herself a failure when she could not instantly understand and utilize them, as her mother and grandmother before her.

 

While Tetra will always be the “best” Zelda in my opinion, Breath of the Wild makes up for this version’s occasional lack of  “personality” (flat English dialogue delivery and reserved expressions) with much more dialogue, screen time, and backstory, developing her much closer to a fully-realized character. She grows on you after a while, assuming that you do go after Link’s lost memories.

If I had one genuine complaint about Zelda in this game, it would have been nice if she was a competent swordswoman, as was implied in Twilight Princess. I know that Link is ultimately the hero, but to see her stubbornly go off on her own and then fail to put up any kind of a fight when she is attacked is somewhat understandable, but still irritating.

 

At least try to defend yourself, woman! Don’t just pull a Frodo Baggins and fall to the ground like a helpless waif!

But it’s okay. She redeems herself in my book when she tries to force you to eat a frog on the spot, just to see what would happen. I’m not joking either. Look at this!

 

“Here, Link! Eat this frog I found! Be my test subject right here and now, because I’m a nerdy mad scientist with no understanding of what’s wrong with this scenario at all! Tee hee!”

I mean it. Zelda really grows on you after a while. She’s downright adorable, even when I (or Link, for that matter) should probably be mad at her.

Link is implied to have character…through journal entries. Also, I suppose, because why would any of the characters carry on talking to themselves so much if Link never responded at all outside of nods and head shakes? He’s apparently just solemn and soft-spoken, focused on becoming a knight like his father before him, and so Zelda constantly compares the two of them throughout the flashbacks, noting how Link never seems to question his destiny or waver in the face of very real danger.

It’s almost funny how Nintendo has lampshaded Link’s muteness without really affecting the seriousness of any given situation.

 

Calamity Ganon returns just as Zelda’s feelings of guilt and self-loathing peak to typical teenage levels, and only once half the kingdom has been murdered and Link is about to face a similar end does she find the strength to summon her powers.

…I’m not sure if this game is aware of all of the implications of Zelda’s angst and dependency on Sheikah technology for victory, but it’s certainly an interesting angle to take. It doesn’t paint her in the best light, but it’s interesting.

Incidentally, at one point, Zelda’s father mentions that there are gossip mongers who are putting her and the royal family down, saying she is “heir to a throne of nothing. Nothing but failure.” But what I don’t understand is this: with the amount of time spent reminding us (and Zelda herself) that she is a reincarnation of a very powerful goddess,  you would think people would think it unwise to mock her so openly.

…Who knows? Maybe, as with the ancient technology, most of them have forgotten that little fact, even if the royal family hasn’t.

 

I’m loving her new dress, though.

Despite the princess’s efforts, Link is mortally wounded and must be laid to rest in the Shrine of Resurrection until he has recovered enough to fight another day, and Zelda, with fresh confidence and newfound power, returns to Hyrule Castle and actively fighting Calamity Ganon for the next 100 years…huh. So maybe Nintendo was paying attention after all. Nice, because this helps us to keep sympathizing while still giving her a punishment of sorts for her arrogance, as well as the contempt borne of her frustrations with not being unable to unlock her power sooner.

Remember, kids: don’t mess with the plans of the Gods. It doesn’t bode well for you.

The champions of each of Hyrule’s respective races also have memories that you can find in the course of your journey. My biggest issue is with Mipha, the Zora champion, because in addition to her robotic voice acting, her backstory with Link and subsequently developed affections for him are hilariously rushed and unconvincing. I had an easier time believing it when Ruto grew feelings for Link back in Ocarina of Time. The player took an active part in her rescue, however begrudgingly, and despite herself, she appreciated that effort and commitment.

 

Yes, she’s a textbook Tsundere. Say what you want about her; Ruto had the most defined personality of any of the female characters in that entire game. That’s probably why so many people dislike her, because she dared to be more than just a blankly smiling pretty face for dudes to interact with and save.

But I digress. Again.

As I said in the beginning, the story is still fairly compelling, despite not being the major “drive” of the game. It’s rare for the 3D Zelda games, but no so much for their 2D counterparts, which had minimal story but tons of exploration. It’s a blend of the two approaches, so it obviously won’t be completely without its hiccups, but for a first conscious effort, I think Nintendo mostly succeeded.

I’m still enjoying the game a lot, and the main story has officially run its course. Now, my sole purpose in life is Korok seeds, taking obnoxious amounts of screenshots, and watching Link cook various, bouncy food.

 

Best time sink ever.

8.5/10

*The images used in this post are all owned by Nintendo. 

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Top 20 Favorite Legend of Zelda Themes of All Time

 

The Legend of Zelda is, without a doubt, my favorite gaming franchise ever. There are probably plenty of other titles that are smarter, deeper, or just as fun and engaging, but Zelda will always hold a special place in my heart because it was my first serious introduction to video games.

So today, with yet another list singing its praises, I’m offering my top 20 favorite songs that ever came out of the series.

Note: Please forgive me if some of the audio clips are shoddy. Uploading to YouTube drastically reduces the quality.

 

20) “Guardians Awaken”, Skyward Sword

 

This track is great because it does exactly what it’s meant to, and it’s damn effective at it. “Guardians Awaken” juxtaposes with the more tranquil, almost soothing Silent Realm themes; adding to the suspense and anxiety as you race to gather all of the Sacred Tears before the Guardians awaken. When they do -especially if it was triggered by accidentally stepping in Waking Water or being spotted by a Watcher – a single strike from their swords is enough to send you all the way back to the beginning of the trial, no matter how close you may be to the end.

 

 

“Silent Realm Guardians” is loud, clashing, and metallic, banging in your ears and spurring you into panic, as you are hunted down by silent, unforgiving giants. Once you’ve heard this track, you don’t ever forget it, and once each Silent Realm trial is completed, you feel all the more accomplished for having successfully staved it off.

 

19) “Hyrule Field”, Ocarina of Time

 

Who doesn’t love this theme? It’s just so iconic!

I also love the (for the time) fairly subtle shift from major to minor when you are confronted by an enemy.

 

18) “Hytopia”, Triforce Heroes

 

The music of Triforce Heroes generally has a certain…je ne sais quoi about it. I particularly like the accordion parts in this theme for the main hub area. It’s classy, but fun at the same time.

 

17) “Tarm Ruins”, Oracle of Seasons

 

This track hasn’t aged the best, I must admit, but I still enjoy it. Especially in various remixed forms.

If I close my eyes (and hear past the chiptune element of it), it feels like I’m exploring an ancient forest, littered with walls, archways, and crumbling buildings from some lost civilization. That’s pretty much exactly what you are doing in-game anyway, so it fits. There’s really not much more I can say about it than that.

 

16) “Skyloft”, Skyward Sword

 

Hajime Wakai has written some truly breathtaking music for Skyward Sword, and it is further accentuated by the choice to use an actual orchestra in composing the game’s soundtrack.

The theme for the floating city of Skyloft is, as you might expect, light and airy. To me, it represents the peaceful, joyful existence of living in a sort of ivory tower; almost a Garden of Eden, of sorts, where people and animals work together in harmony. The world on the ground far below is not even a distant memory anymore, and only a few people in Skyloft still wonder about it in any way.

 

You hear the song throughout the game, but it also comprises a fair amount of your introduction to the world. Possible symbolism aside, it’s just very nice to listen to, and much like the “Hyrule Field” theme from Ocarina, it draws you in and provides an upbeat start to your adventure.

 

15) “Bazaar” and its variations, Skyward Sword

 

Same game, different tune.

The Skyloft bazaar is where you shop for weapons, supplies, and potions before heading down to Hyrule proper. It contains about 5 vendors (if you count the potion shop wife and husband as 1), and each has a unique variation of the bazaar theme that begins to play when you approach his or her area. I recommend listening to all of the shop tracks, even if you can’t play the actual game for whatever reason. Each iteration uses different instruments and sets itself to a different pace, conveying both the general bustle of the marketplace and the energy/personality of the vendor.

 

14) Original “Fire Temple” Theme, Ocarina of Time

 

I realize that this version was replaced due to its insensitive use of a core Muslim prayer, and I don’t mean to support appropriation or exploitation. However, I don’t believe that it was meant to be malicious or purposely disrespectful, and before people jump to condemn someone for ignorance, I think that the original intent of the action should count for something.

That said, I don’t know what Koji Kondo was actually trying to do at the time. Personally, as a kid, I thought that the original track was cool and interesting. Of all of the temples in Ocarina, the Fire Temple felt the most like somewhere people might actually go to offer prayers to the gods, and the theme was a major part of that interpretation. A sudden echoing, rhythmic chanting fades in and out throughout the track, making it seem like an ancient, spiritual place; one which has now been corrupted slightly by Ganondorf’s evil influence.

 

If this genuinely offended people, then I am glad that it was cut. Everyone deserves to enjoy this game without feeling like it’s insulting their religion. This was just my 2 cents, as a once ignorant white kid who later went on to love studying world religions in college. It confused me when I picked up a more recent copy of the game several years ago and the chanting was just gone, with no real explanation.

 

13) “Fire Sanctuary”, Skyward Sword

 

Here is a cool fire theme that is pretty cool and doesn’t offend anyone, as far as I know. The “Earth Temple” theme is decent too, but it didn’t get stuck in my ears like this one did.

 

12) “Inside the Great Deku Tree”, Ocarina of Time

 

The “Forest Temple” theme is probably better. It’s definitely creepier, to say the least, but “Inside the Great Deku Tree” is soothing and spacey. It really does feel like being inside something truly empty and gigantic, and I love using this as writing music when I’m trying to clear my mind and focus on something new.

 

 

11) “Stone Tower Temple”, Majora’s Mask

 

Foreboding, but not as in-your-face unsettling as the “Ikana Canyon” and “Ikana Graveyard” themes. To me, it feels like a hopeless, endless climb upward, and that’s not too far from my actual feelings whenever I try to make it up to the Stone Tower Temple. You just keep messing with switches and playing that godforsaken “Elegy of Emptiness” song, over and over and over…

 

It’s a fairly fitting prelude to a fantastically challenging Zelda dungeon, though. I used to try to play the base tune on my elementary school recorder.

 

10) “Farore’s Silent Realm”, Skyward Sword

 

I can’t remember what the exact instrument is during this track, but the closest I can describe is “if a tinkle and a clang had a baby, this is what it would sound like.” A glass cowbell, maybe? What kind of bells would forest spirits use, anyway?

I can already picture my audio engineer/high school band boyfriend ashamedly shaking his head at me for that one…

 

But this is my favorite of all of the Silent Realm songs. It is a simplistic, staccato rendition of the “Faron Woods” heme; calming, but also distinctly lonely and otherwordly. I like it a lot.

And, by instinctual association, its accompanying Silent Realm is the easiest and least stressful of all of the trials.

 

9) “The Great Sea”, Wind Waker

 

ADVENTURES ON THE HIGH SEAS! WOO-HOO!

 

Need I say more?

 

8) “Deku Palace”, Majora’s Mask

 

This theme feels like it’d be fun to dance to, and lucky for Link, his Deku form has a spin attack that is adorably twirly.

 

7) “Fi’s Theme”, Skyward Sword

 

Skyward Sword seems like it’s taking up most of the list, doesn’t it?

 

Fi is easily the most annoying companion character in the 3-D games, possibly even the entire series. She is essentially a robot who states the painfully obvious, telling you that you’re low on hearts or the likelihood of a bokoblin shocking you with an electric cattle prod right as he is swinging it at your face.

That said, her theme music is beautiful. I cried at the end of the story, which I won’t go into for the sake of spoilers. I can’t imagine I’m the only one who often has trouble completing games in a year (sometimes a few) or less.

 

Suffice it to say, “God damn it, but Fi made me feel!”

 

6) “Hyrule Castle”, Breath of the Wild

 

Here’s a new one.

Outside of the iconic Zelda retreads, the music in Breath of the Wild is nice if basic and repetitive at times. But this version of the conquered Hyrule Castle theme is a nice compromise of old and new, managing to be feel hopeless as well as looming and sinister.  It even harkens back to Ganondorf’s organ-playing as you ascend the castle steps in Ocarina, but it doesn’t get louder as you approach the sanctum.

 

5) “Lake Hylia”, Twilight Princess

 

Such a beautiful instrumental. Lake Hylia is a big open space where you could just imagine sitting down and watching the clouds and the tide go by.

Incidentally, proportionally-speaking, Lake Hylia in Ocarina of Time should be a similar massive size as it is in Twilight Princess. Even though it looks much smaller (and is, compared to that later game), it does takes Link a while to swim across it; the rising and setting of the sun is what offers the illusion of largeness.

 

…Sorry. That’s just an annoying nitpick I hear from some fans. Either a day in Hyrule goes by really quickly, or the game makers did what they could with size and system limitations of the time, folks. The Nintendo 64 was still damn impressive.

 

4) “Kakariko Village”, Twilight Princess

 

This version of Kakariko’s theme has more character than it did in Ocarina of Time, and that is due to the addition of what I assume is an eagle-bone flute. Or something in that family, at least.

 

 

Renado, the village leader, and his daughter Luda have a distinctly Native American character design, and Kakariko resembles a town in the old west, complete with sparse vegetation and a faded earthy color scheme. The theme ties it all together, keeping a few recognizable chords intact but changing enough to fit the new set up. It’s very pretty, and definitely worthy of being one of my favorite songs in the series.

 

3) “Gerudo Valley”. Ocarina of Time

 

Did anyone else go out and learn about Mariachi music entirely because of this one song?

 

2) “Dragon Roost Island”, Wind Waker

 

What’s not to love about this one? It’s practically bursting with energy and fun!

The “Dragon Roost Island” theme is definitely a spiritual sibling of the “Gerudo Valley” theme. It is probably the closest another Zelda track has come to it, and I would even go so far as to argue that it surpasses “Gerudo Valley,” if only in sheer awesomeness.

I apologize if that was sacrilegious.

If Mexican music being applied to desert amazon women didn’t quite fit perfectly for you, this theme seems completely appropriate for the Rito, a seaside race of bird people who worship a giant dragon that sits atop their mountain. I’m not sure I can explain exactly why, but it just works.

 

Don’t ask me why they all wear powdered wigs, though. I have no idea.

 

1) “Zora’s Domain” and ” The Serenade of Water”, every incarnation

 

 

Sorry to mush together two songs for the top spot, but they are both gorgeous, and they essentially go hand in hand, as common themes for the aquatic Zora people. If you don’t know what they are, how did you even get here? imagine a  reversed-mermaid.

Or don’t, and just look below.

 

In the case of the latter song, I particularly love “Queen Rutela’s Theme” from Twilight Princess. It’s hauntingly beautiful, yet oddly comforting, much like the ghost herself.

 

The general “Zora’s Domain” song is what I most want to hear when I’m baking, writing, lounging, or swimming, for some reason. It just makes me happy to listen to it, and it definitely makes me think of water. It may not be as epic as something like “Dragon Roost” or “Gerudo Valley,” but it doesn’t have to be. It soothes the soul and cheers the heart.

 

*The images and sound clips used in this post do not belong to me. Please let me know if you notice any of the audio being missing or not working properly, and I’ll find another link.

What are your favorite Legend of Zelda tracks? And why?

 

Marge’s Top Ten Zelda Boss Fights

At this, the tail-end of what the fans have begun to dub “Zelda Month”, I wanted to offer my own paltry praise and tribute to the massively-entertaining and immersive series of games known as The Legend of Zelda. 

I have been playing a little bit of Triforce Heroes with my friends, and I got to thinking: Zelda has some really fun and memorable bosses. Only in this most recent game have we been able to use other players to team up and defeat them, but the variety of settings, monsters, items, and, for lack of a better phrase, ways to expose and exploit weaknesses, have become pretty ingeniously inventive since the first game’s release in 1986. Add spectacular graphics and wide fields of movement to the mix, and you come away with much more challenging battles.

So today, I thought I’d give you my top ten favorite boss fights across the whole series.

I’m sorry to say, and don’t hate me for this, there will be no 2-D battles on this list. I haven’t played many of the earlier games, and most of the ones I have tried didn’t grab me the way 3-D Zelda games have. I think that is mostly due to how I was introduced to the series in the first place, with Ocarina of Time.

I love Oracle of Seasons and Ages, but those are the only ones I’ve beaten. And I digress. 

Here we go!

 

10) Majora 

At the very top of the list, we have the final boss battle in Majora’s Mask

If you’ve obtained the Fierce Deity Mask, the fight is insultingly easy, but it makes my number ten spot because it’s fun, fast-paced, and batshit insane. 

majorasmask

 

Majora’s first form is the mask itself, hovering around the arena while shooting beams at you and bringing the mask-remains of the former bosses to life to distract you.

Once you’ve sufficiently slashed that, Majora grows limbs and a head with a single, large eye as its second form, and it darts around and dances wildly while a silly, distorted version of its theme plays in the background.

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The third and final form bulks Majora up like a body builder, and gives it shocking whips that grow from its hands.

Majora's_Wrath_Artwork

 

This is the hardest stage of the battle, but again, not that hard for boss standards and certainly not for those of final bosses. But because the rest of the game is fairly challenging, Majora’s Mask can be forgiven in this instance.

 

9) Ganon (TP)

Zelda games fall under two categories most of the time: those in which Ganon (Ganondorf) is the villain throughout, and those in which Ganon hijacks the plot away from another villain (usually by way of Villain B attempting to summon him). Twilight Princess is probably the most egregious example of the latter, and while the battle with Zant was epic and challenging and I feel bad for not putting him here, some room must be made on this list for the king villain of the entire series. 

dark-beast-ganon-tp

 

Of all of the Ganon/dorf fights, this game has my favorite. The first stage involves fighting a possessed Princess Zelda, doing the classic light attack volley. Then, a massive wild boar charging at you, and you have to alternate between your human and wolf forms to defeat him. The wolf form is one of my favorite mechanics introduced in any Zelda game, and pitting a beast against a much larger beast and still coming out on top is very satisfying.

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In the third stage, you are chasing Ganondorf on horseback across a wide stretch of Hyrule Field, with Zelda reprising her role from the final battle in Wind Waker by firing light arrows to slow him down. 

Being able to use your sword while riding is a great upgrade from the last game, and you can either beat a path to Ganondorf or lag behind, slashing at his virtually ineffectual minions. It’s really fun.

Just avoid energy beams, as they will sting.

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Lastly, you fight him mano-a-mano, applying the sword techniques you learned from the Hero’s Shade throughout your journey. The only one you really need is the finishing blow, which you will be made to learn anyway, but the introduction of specific sword and shield techniques to the gameplay adds thrills and even a bit of skill to your battles, especially this one. Ganondorf can move and block fairly well, so being able to roll behind him and slash at his unprotected back can really help you.

Link_vs._Ganondorf_(Twilight_Princess)

 

Really, this game added a lot of good things. Some people say it’s just a rip off of Ocarina of Time with more story and better graphics, but I don’t think that’s fair. It’s not the most creative entry in the series, but it’s definitely not a straight-up rehash. A beefed-up, though still flawed, spiritual sequel is what I’d call it.

 

8) Volvagia

Ocarina of Time presents: Whack-A-Mole!:

 

7) Armogohma (TP)

I was tempted to put Gohma from Wind Waker here (Zelda has quite a few Gohma incarnations across the series, actually), but as fun as it is to hook on to a dragon’s tail with a grappling hook and swing over a giant beetle-centipede lava monster’s head, angering the dragon and unsettling the rocks on the ceiling and crushing said monster (yes, really), you know what’s more satisfying?

Squishing a spider!

350px-ArmoGhoma

 

The Armagohma fight in this game is a nice and familiar retread of the Gohma fight in Ocarina of Time, but, as you might have guessed from the gushing in the Ganon section, incorporates new elements for a relatively challenging battle.

Armagohma is bigger and more spider-like than ever, but with the help of the Temple of Time’s item, the Dominion Rod, you can bring her down quickly. Literally. When she crawls up onto the ceiling, shoot her in the giant eye on her back with an arrow. When she falls to the ground, Link can use the Dominion Rod to take control of one of the nearby giant statues and crush her weak spot with its hammer. 

 

The only part I don’t like is when you finally break her hard exoskeleton, she turns into a bunch of gross mini-spiders, led by a main spider that apparently made up the eyeball on her back. This is gross and mildly annoying, but once you get here, you know you’re basically in the clear.

 

6) Hellmaroc King

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Spoilers: It’s a giant flying chicken. 

In Wind Waker, you take the most awesome hammer in the entire series and smash a giant monster chicken in the face! How cool is that?

This villain was a bit more personal for me than most others. It appears a few times before you fight it, once when kidnapping Link’s little sister and then again catching you just before you can rescue her, only to fling you out into the sea to drown. Sure, it’s technically a lackey, but the game got me to build up a vendetta against this stupid giant chicken and boy is the conclusion to that plot satisfying!

First, you goad the bird into trying to attack you, causing it to bury its beak in the ground and trap it momentarily.

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The hammer then chips away at its protective mask, until you can finally do more damage to the chicken itself. Meanwhile, dodge its gliding swipe attacks and gusts of wind, which will blow you into the painful spikes ringing the arena if you aren’t careful. 

It’s not the most fun battle in the whole series, but it’s definitely one of the most satisfying.

 

5) Blizzeta

In Twilight Princess, you come upon an old, dilapidated mansion in the mountains and meet two yeti, a husband and wife, who hold one of the pieces of a cursed mirror that you need.

YetaYeto

 

The yeti are nice and obliging, but the husband is preoccupied with making soup for his sick wife, and his wife can’t remember where she put the key to their bedroom, where the mirror shard lives, and you have to follow her baffled directions several times before you get it right. It’s a dungeon in practice, but not in name.

Eventually, Yeta the yeti will lead you to the bedroom and unlock it. In a case of complete tonal whiplash, the sweet yeti takes a look at the mirror and goes full-on Gollum over it.

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This boss battle involves using a spiked ball and chain to chip away at the moving ice chunks that encase Yeta. The boss will go up on the ceiling, so watch the reflection on the floor and dive out of the way as she attempts to crush you with each ice chunk. Once that is done, you have a brief moment to break the ice, and eventually, you will attack the center chunk and free Yeta.

300px-Blizzeta

 

I love the music, the fight style, and the nice, helpful character who is corrupted and forced to battle you. It would be more emotional and dramatic in a movie, I think, but it works well in the game.

The moral of the story (and the theme of this list, so far): smashing things is fun.

 

4) Twinrova (OoT)

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I really like witches and natural element-based powers, so why not combine the two? Elemental witches!

In the last temple of the game, the Spirit Temple,  you fight Koume and Kotake, Ganondorf’s mothers(?), who can shoot beams of fire and ice respectively. When Koume fires you (pun intended), target Kotake and let the mirror shield do the rest. When Kotake gives you the cold shoulder, target Koume.

I just love turning the enemy’s powers against them; it’s a more epic version of “Stop Hitting Yourself.”

After about three or four successful deflections, the witches will combine into this delightful thing:

Twinrova_(Ocarina_of_Time)

 

She still has two staffs, one per element, and you just have to let her hit your shield three times with the same element, and it will create a blast strong enough to knock her to the ground…I guess because at least half of her is weak against either element? Then, hop over to the platform she’s on and smash! (your hammer does more damage, so I use that)

It’s relatively simple, but very fun, and combined with the cutscenes, it makes a nice conclusion to your journey through the Spirit Temple and your dungeon/temple run in general.

…But she is kind of creepy too.

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3) Koloktos

Speaking of using your enemy’s power against itself…

The whip seems a little lame compared to most dungeon items, and switching between it and the sword when you need to slash immediately afterwards can be a bit annoying, but it makes this fight a fan favorite, and one of the most memorable in all of Zelda, for one major reason: you rip off your enemy’s arms, steal its sword, and then beat it to death with it.

Koloktos

 

Koloktos is a giant golden automaton reminiscent of an ancient Buddhist deity, bearing multiple arms and swords. It sits still at first, striking at you and then chucking blades at you when you get too far away. But once you do enough damage, it gets up on legs as well. It can also summon up zombie bokoblins to hurt you.

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The exterior of the boss is very hard, so once it puts a cage around its weak spot (can you guess where?), the only way you can get to it is by using something just as hard and massive. This is where the real fun comes in, but you have to be quick on your feet. Even if you manage to detach one or two arms, Koloktos has a wide range for its powerful swipes, and you have to balance staying in range so you can attack while also not getting completely clobbered.

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Hearts will burst from any pillars Koloktos destroys. These will be your friend.

Then, when at least one arm/sword combo hits the ground, pick up the blade and go to town. Bowl over bokoblins, or go straight for the boss. Whatever you do, it is absolutely essential that you cackle maniacally. 

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This fight is made all the more enjoyable by the vastly-improved motion controls (improved since Twilight Princess, which was not designed with them in mind to begin with). If only you could also hit something in real life, I think this fight would be damn near perfect. As it stands, it’s pretty satisfying.

 

I give this one major points for creativity, and for being the most fun sword fight of all of the games. This boss even gets a little bit creepy when you hear the girlish, childish giggle it lets out upon defeat (~4:40 of the video above).

 

2) Goht

Short, but sweet, and without a doubt my favorite boss fight in Majora’s Mask.

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He’s not the prettiest boss, but he packs a wallop.

Goht charges around the track/room as a giant mechanical bull, and you must don the Goron mask to roll out and give chase. Every time you slam into him, he will send chaotic bolts of lightning back at you, as well as place extra obstacles in your path, from falling stalactites to kicked up bombs.

The nice thing is that you don’t need to worry about running low on energy; the room is full of green energy pots, and all you have to do is roll into them and keep on going.

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I’ve heard some people call this fight difficult, and I guess that’s because it’s a rare instance of controlling a racing object, rather than moving more slowly with a sword in hand. But it’s not rocket science. Hugging the inside of the track will make you go faster, and dodging projectiles is fairly easy when you’re over or under a certain distance behind Goht.

It’s not nearly as difficult as the Goron race track.

I love the hell out of this fight. Majora’s Mask very kindly lets you go back and replay any boss fight that you want at any time, and more often than not, I find myself back in Snowhead Temple, ready for another run with Goht.

 

1) Stallord

After rocking your way through one of the best dungeons in the entire game (Twilight Princess’s Arbiter’s Grounds), and snagging one of the most fun and memorable additions to the LoZ arsenal, the Spinner, you reach my favorite boss of all time.

Stallord the Twilit Fossil comes alive as a towering skeleton creature, held up by several small vertebrae, emerging from a sea of quicksand. In addition to breathing fire and surrounding the outskirts of the sandpit with rotating circling blade traps, he summons up armored but otherwise harmless soldiers to surround and protect his spine, which serves as the weak point.

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To defeat Stallord, mount the spinner like a skateboard and latch yourself onto the circular edge that runs around the sandpit. When you see an opportunity, or have to avoid a blade trap or fire blast, detach from the edge and make a beeline for his spine.

You may pinball off of the soldiers, but each one you hit is one less that you will have to go through the next time through. Avoid losing momentum and getting stuck in the pit by hooking back onto the edge whenever possible.

After the traditional three to five good hits, this battle actually gets a part two.

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Stallord will fall to the ground, leaving only the head. It will come alive again, levitating, and shoot fire blasts at you some more. Hop back on the spinner and hook onto the ridge along the center pillar. The wall to your right will also have a track, and you must jump back and forth between the two surfaces to avoid being burned.

The blasts will cause Stallord to slow down slightly, so eventually, you’ll end up right next to his head. Jump into him, and then once he is lying helpless on the ground, strike the sword in the center of his forehead as many times as you can. When he gets up again, the blade traps will start to appear more frequently, making the next few hits a little bit harder to land.

 

Much like the Ghot fight, this boss battle involves staying in motion almost constantly. Riding around on the spinner is inexplicably, ridiculously fun, and it’s a shame that the item has virtually no use outside of its dungeon. Using it in battle is a test of your planning and reaction time more than anything else, but the crunch of breaking apart Stallord’s spine is just as satisfying as striking anything with a sword. 

I’m not usually a fan of boss battles that have multiple parts/forms/etc, but I’ll gladly make an exception for my favorite Zelda battle of all time. 

Who agrees? Who disagrees? Who’s feeling half and half? Let me know in the comments, and Happy December Holiday!

*The pictures and footage belong to Nintendo and Shigeru Miyamoto. I do not own nor claim right to any of it.

Top 10 Favorite Zelda Sidequests

 

I am not a completionist. At all.

When I play, unless it’s something I’ve done before, I’m mostly interested in character and plot. I see video games like movies, but better, because you can be an active participant.

As long as I can move, and the camera isn’t conspiring to assassinate me, I’m a happy camper.

When I game, I am the type of person who often rushes into a battle unprepared (not sufficiently leveled up or stocked up) because I just want to advance the main story. I level up when forced to, or happily during a second playthrough, but usually, whether I’m going in as the tank or the strategist, I’m praying I can just move on. Sidequests can be the bane of my existence; sometimes feeling more like chores than anything else.

That said, Zelda games are my big exception.

I still don’t typically strive to get everything you could possibly get in the game, but there are a ton of different quests you can choose to do, and a lot of them are really fun. I complete them as soon as I can, or later, when I’m trying to stall the inevitable ending of the game.

For the purpose of this list, I am classifying a side/subquest as: any quest that either a) has no or little effect on the end’s result, and/or b) does not need to be done to finish the game. More items will probably lean to the latter, but there you have it.

Let’s begin!

 

10) Poe Soul Hunting

This spot was a toss up between bug hunting and poe hunting from The Legend of Zelda: Twilight Princess, but the poes win because:

poe

Come on.

Sure, Agitha is a disturbing but intriguing character, and the bugs get to go to a tea party at her place once you collect them all. And yeah, catching bugs is extra fun in Skyward Sword, once you figure out the net. And you can use them to spice up potions, strengthening status effects. This is fun and useful stuff here.

But screw that! Ghost hunting!

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And the ghosts look like this:

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And this:

Poe_(Twilight_Princess)

Hell, I thought they were fun to hunt back when they looked like this:

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Along the course of the plot, you will meet a man named Jovani. He has quite the sparkling personality.

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His story is that he got greedy and sold his soul to the poes for abundant wealth. They granted his wish, but also turned him into a living jewel, so he can’t even spend his money, or swim around in it Scrooge McDuck style!

So he’s turned over a new leaf, and he needs you to murder 60 poes before he can be returned to normal.

This quest is a spiritual sister to both the poe and skulltula quests from Ocarina of Time. The difference here is that the hunt employs Link’s other form, rather than a bow or other standard weapons. You can only see poes using wolf senses, and once you’ve spotted one (usually at night, indicated with a floating ball of light and creaking sounds), you jump and bite it repeatedly until it falls to the ground, then dig the soul right out of its chest.

You get the picture by about 0:06, but still. Hardcore, and pretty damn brutal. It’s not the darkest thing that Nintendo has ever given us in these E rated games, either.

But it’s a fun collection quest with some freaky adversaries.

Who you gonna call?…Yourself!

 

9) Gerudo Training Ground

After you obtain the Gerudo’s membership card (which is hilarious) from the desert tribe of Amazonian/Spartan women, you have access to several things. The Haunted Wasteland (needed for plot), the horseback archery game, and the Gerudo Training Ground.

gerudo 2

Inside await various puzzles (many of which are timed), to test your stamina, ingenuity, and whether or not you’ve got all the right items. Or, in some cases, whether you’ve brought enough of the right items. Like bombs and arrows.

You’ll need those.

gerudo 1

Water puzzles, fire puzzles, monster puzzles, and more. All for the relatively useless, but nice and item-collection-completing Ice Arrows.

gerudo 3

And when I say useless, I mean that there aren’t many or any boss battles left where you could use them by this point.

There really isn’t too much to say about this one. It’s pretty low on this list, but still a fun mini-dungeon with elements from most of the other dungeons you’ve faced, combined in an atmospherically-acclectic moosh. Just beware misusing your keys, because you only win so many.

 

8) Magic Armor 

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Yeah, the sailing in The Legend of Zelda: Wind Waker did get a bit tedious after a while, but thankfully, the HD remake keeps the ability to teleport while upgrading you (via the auction) to the swift sail, making traversing the Great Sea more fun and fluid. Now, if only they gave you the option to bypass the fish man’s dialogue every time you want to fill in your chart…

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He’s a contender with this owl, Navi, and Fi as most annoying, “helpful” character.

He's a contender with this guy, Navi, and Fi as most annoying, "helpful" character.

But in defense of the sailing, the game is very big on color and atmosphere; the weather and lighting changing frequently, as well as a multitude of interesting islands to explore. So suck it up, whiners!

This is a big fetch quest and you will probably need a guide to avoid backtracking and unnecessary purchases. There are several people scattered across several islands on far sides of the map, and they will give you things in exchange for other things. And money. You will need lots of money.

Zunari

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The nice thing about these various trading items (flowers, flags, statues, etc) is that later, you can buy them on Windfall Island and use them to decorate the place or your own personal cabana, if that’s your thing. It’s not really mine that much, but few other fetch quests can say that they allow you to use and reuse items you traded away for your own purposes.

So, while I haven’t been upselling it very much and it can be frustrating occasionally, this quest is mostly fun, and in the end, you get a nice shielding device that makes you invulnerable for as long as your magic meter holds out.

Nifty!

 

7) Fetch Quests/Gratitude Crystals

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Gratitude crystals can either be found lying around Skyloft in hard to reach places, or by doing favors and quests for characters along the course of your adventure. I like the latter more, particularly those that involve going down to the surface and dowsing to locate lost items, like the fortune teller’s (replacement) crystal ball and the Fun Fun Island clown’s party wheel. Dowsing in general was pretty fun for me throughout this game.

Anyway, you collect crystals to get things like pieces of heart and wallet expansions. You get those by giving the crystals to a demon who longs to become human.

I’m not kidding, either. He looks like this:

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Friendly-looking, right?

Despite the mildly sketchy way that Batreaux is introduced (you go looking for a lost child only to find her having “screaming contests” with this guy in a hidden bungalow beneath the graveyard), he gives good rewards in exchange for the crystals, and you can have oodles of fun tracking stuff down. Sometimes, the solution to someone’s problem is interesting and complicated, while other times it just the standard point a to point b delivery.

It’s more fun finding things in a game when you know where the item should be and can scope for it. In real life, your car keys go missing, and you’re in trouble. All you can do is retrace steps and blindly fumble and hope. 😦

But on the other hand, video games make people look really morally horrible. They will only help you if you help them first…

Moving on!

 

6) Circus Leader’s Mask

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This mask is ugly as sin and virtually useless, but the jam session you go through to get it is fun. Fun, and short, but it takes a lot of elements and items to even get to this subquest, so it does feel like an accomplishment.

 

5) Skulltula Houses

The Legend of Zelda: Majora’s Mask will take up a lot of this list. It’s the game with the most sidequests and, in my opinion, some of the most fun ones. Especially because of the useful items you typically receive for your troubles.

Swamp_Spider_House

Oceanside_Spider_House

There are two spider houses: one in Woodfall, and the other at Great Bay. I like both pretty evenly, but if I had to pick my favorite, it’d be the Oceanside Spider House. It’s dark and haunted-looking, with Stalchildren hanging around to add to the ambience.

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Creepy, grinning, giant masks; minimalist, isolating music; a hunt through several dark and dusty puzzle rooms; and a giant wallet as a reward, with a new mask waiting around the corner. Also, you’re genociding these pleasant things:

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Enjoy!

 

4) The Romani Mask

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The first step in this quest involves aliens.

No joke.

Romani Aliens

It is one of the most bizarre things in all of Zelda. But that is what makes it so fun and interesting.

On the first day, you go to Milk Road and blow up the bolder blocking Romani Ranch. Inside, you will find several people (and activities), but the most important are Romani and her older sister, Cremia.

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Romani will be outside, running around with her dog and shooting at a balloon with her bow. You talk to her and get your horse after a brief mini game, with the promise to help her ward off an alien invasion early the next morning. Cremia doesn’t believe that such a thing will happen, but she is delighted to hear that the road is open to travel. Now she can deliver her alcoholic milk to town!

…I’m not really kidding about that, either. It’s tied into a really dark scene later, and the game makes no bones about it being hard stuff.

So you fight off these…alien…ghost…looking things:

Majoras-Mask-Them-Aliens

for a couple of hours, keeping them away from the barn with arrows, until they all go away. When you talk to Cremia, she will offer to give you a ride back into town on the second night, which you should accept.

The two of you chat (as much as Placeholder Link is capable to), and a series of road blocks lead you into “ugly country.” Some local farmers in masks come riding up to your wagon like bandits and try to destroy the milk bottles. It is your job to fight them off with arrows to the face.

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Once you’re done: congratulations! You get a cow mask/hood/thingy! It gets you into the 21 and over milk bar in town after dark!

Paaaaaaarty!
Paaaaaaarty!

 

See what I mean? Bizzzzzzzzaaaaaaarrrrrrrreeeeeeee.

What’s even more bizarre (and dark and twisted) is what happens when you fail to protect the ranch from aliens…

 

3) The Couple’s Mask

CouplesMask

Outside of making one guy happy and giving you a heart piece, this mask does nothing. Even less than the Circus Leader’s Mask, which can at least cry rivers. But the quest to get it is the longest in the game, and the resolution for the people involved is both sad and heartwarming. It’s very satisfying that way, somehow; one of the most in-depth and satisfying quests ever in the series, I would argue.

The Skull Kid (the main antagonist of the game) cursed a man named Kafei and gave him the body of a child, but still the mind of an adult, three days before he is supposed to marry his love, Anju. The customs of Termina (the land you are in, as opposed to the usual, Hyrule) dictate that two people commemorating their joining as husband and wife, as a symbolic gesture and simultaneous praise of the guardian giants, must each make a mask and exchange them with one another on the day of the ceremony. To add insult to injury, before Kafei could inform Anju of his misfortune, his wedding mask was stolen by a thief named Sakon, a “prancing man with a grinning face.”

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Now Kafei, ashamed and desperate to find his mask before he confronts Anju, hides behind another mask that looks suspiciously like Pikachu (but is really more of a general Japanese fox mask) and lives on the far side of town. Anju, unaware of these events and having lost almost all contact with her fiancé, is distraught, and hesitant to evacuate town along with her family (due to the rumor of the falling moon).

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Not even Kafei’s mother knows where he’s gone, and it’s up to detective Link to sort this mess out!

In-the-Kitchen

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Haha!
Haha!

You get a lot of masks from this quest; the most out of all of the quests you could choose to undertake. It’s definitely not one of the flashier and funner masks, but in the end, the couple’s mask is a nice trophy to remind you how hard you worked to make all of these characters happy.

…Before you reset the time to the first day, and everything goes back to the way it was. Doomed.

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2) Nintendo Gallery

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I love Pokemon Snap. Always have, always will. And my Facebook is crammed with pictures. Not club pics and selfies (some of the latter, to be fair), but a lot of landscapes and nature shots. And deer.

I love taking photos. I love getting the perfect shot and focusing on every little minute detail to do so. The Legend of Zelda: Wind Waker foresaw this, and acted accordingly.

So you take pictures (once you upgrade to a color camera) and then take them to a small pillar of land near The Forest Haven. Here you will find the Nintendo Gallery, where you can turn in good photos for shiny figurines, lovingly sculpted by this fellow:

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You track down every person, monster, and animal (almost) that you can find, no doubt freaking them out with numerous, obsessive pictures, and you fill the rooms in this place with colorful figurines. Not only will they look pretty, but they also have little blurbs about the characters they represent.

ChuChus_(The_Wind_Waker)

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This quest is utterly useless in the grand scheme of things, even by other useless quest standards, but it feels great to the completionist, and even to those who just want to say, “I stopped to take a picture of this boss during the middle of the battle! I have horrendous battle scars now, but look! A trophy!” 🙂

Hooray for catering to youth culture who are increasingly self and phone/camera obsessed!

The HD remake is worse in this regard because (while you get the colored camera much more easily, have more open slots for photos, and can use other players’ photos to complete your quest) you have the ability to take selfies. Literally, selfies. And you can stick them in bottles and send them to other people, receiving their selfies as well.

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Kill me.

 

1) Item Upgrading

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Hands down. This is. The greatest thing. Zelda has given me. Ever.

The fact that Skyward Sword shields can now take varying degrees of damage (rather than, say, the Deku shield just being obliterated by lava or fire) is an interesting, if occasionally irritating dynamic Nintendo recently added. But I barely used mine outside of certain battles anyway. Ironically, this game made shields feel more like decorations than anything else. Some people would argue you don’t need them to get through, although with hero mode I would definitely say, “pick one up for insurance.”

But the chance to upgrade my bow for better sniping capabilities?

Bows

Awesome!

The beetle can fly farther and faster now?

Beetles

Awesome!

You can use items you get from monster murder/drops, bugs, and just random things that you find around the overworld. That idea is so simple, but so brilliant, it moves me to tears.

…Well, not really. But still.

Scavenging and hunting has the most appeal in this game, I think, because you can put what you find to many uses that are nice and can help you out, but won’t stall out the plot waiting for you. And it’s not just for completionists! How about those folks concerned with always having the latest models?

No one else in Skyloft will have these cool toys!

Seriously, though. Why hasn’t Link ever thought to add on to his weapons before? Polish and spit-shine them, add a few tweaks! The closest he came before this was probably Twilight Princess, with the Eagle Eye and the ability to make bomb arrows.

Psst…Nintendo! Bring those back!

 

So there you have it. My top 10 favorite sub and side quests from the Zelda series. Which ones are your favorites? Are there any ones I so unfairly missed? Let me know!

*The fan art is by Zelbunni, and that and their other work can be found at the link under the image. As always, I don’t own any of these images or videos. All hail/credit to Nintendo, Ghostbusters, and the creative minds of the web for their collages.

 

Zelda 2015 Theories

Sorry everybody, I’ve been a way for quite some time. I had a couple of difficult things come up in my life that I needed to handle, but I am back to have my take on the Zelda E3 trailer.

In one of my posts, I briefly mentioned the new Zelda Wii U trailer that premiered at this years E3 Convention and of course, since it’s Zelda, new content sparks a lot of speculation. But before we delve too deeply in thoughts, theories, and the trailer itself, let me examine the information given by Eiji Aonuma in the very beginning of the trailer, and further more, establish what we can surely expect from the new Zelda title.

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Expectations
1. Exploration and Puzzle Solving
“As far as what you can do with such a vast field to explore…as soon as those boundaries are removed. It means you can enter any area from any direction.”
From this inference, we can safely assume that exploration is going to be a premium focus on Zelda Wii U. Aonuma has said that the inspiration of this new game has come from both Wind Waker and the first Legend of Zelda, where the player had the freedom to explore new areas in the world. You can also infer that it will be a non-linear story structure, giving more flexibility to the player when finding dungeons or exploring the vast over world. Part of the puzzle will be how to get around to certain places on the map.
Open World Zelda
2. Environment and Enemies
“Enemies appearing in such a peaceful world is one of the defining features of the Zelda series. That is one convention we can keep, right?”
From this quote, we can make a valid guess that the world be colorful, beautiful, and serene despite large enemy engagements as demonstrated by the beautiful presentation in the E3 2014 trailer. You can even see the finer details of the shadows changing as the clouds pass the sun if you look at the grass.
3. Character Presentation and Progression
This is a quote that backs this up this idea is from an interview back in late 2013.
“Something that is ‘traditional’ is in a sense often something that copies previous works, so if you continue doing that, it gradually takes away from its uniqueness. So we’re currently working on making those parts more and more unique. So, by no means, am I tired of it. Rather, the more we change it, the more I get fired up. Having someone think ‘Huh? Is this Zelda?!’ at first, then ‘Oh, it is Zelda,’ is what we’re going for. Something that wouldn’t make it matter whether Link or Princess Zelda appear in it or not. Something where it wouldn’t even matter if Zelda is actually a princess, or not.”
Note this interview will not mean that Link or Zelda will not appear. Rather, it’s saying that this title will present a new and unique game experience by changing some of the conventions that we have known throughout the series. In other words, we can expect an unorthodox storyline and character arcs for the next Zelda title, something that no other Zelda title has explored.
Speculations
1. It has been noted that the play can explore anywhere at any time. In the trailer, looking at the opening scene alone, there’s a lot of stuff that can easily be missed at first glance. Open World Zelda
It’s easy to be caught up in by the shear render-distance of it all alone. But when not staring in awe and wonder at the vast expanse of terrain, one can see that Link and his trusty stead are actually standing in a village of some sorts. Not only are there homesteads with long, steap, and triangular roofs, but there are some additional structures further back, including a well, stone pillars, and some elaborate outposts.
In addition, varies villagers or farmers and goats that can be seen in the background. You may also notice what appears to be Death Mountain and possibly Zora’s Waterfall off in the distance. It is also possible that Zora’s Waterfall is some new area since Zora’s Domain is generally in the west, while Gerudo Desert is in the east. Furthermore, there’s a large town in the back and , based on its apparent position on the map, this has me believing it to be Hyrule Castle.
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But based of of the surrounding environment in this trailer, we have our first identifiers in aiding and supporting an open world environment and a non-linear story. Look at any sandbox and non-linear environments and it fits the bill perfectly.
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Example of Sandbox/Open World Environment

But just because the game is non-linear it doesn’t mean that the game is non-directional. There will have to be a quest system in place for the player to interact with the environments and explore dungeons. From this, we can assume that the villager can be quest givers.

Even if you look even further back you can notice some type of town or outpost, which can serve as the main hub for requesting and accepting quests. We can assume that the inhabitance of this world have interactions with Link in some way. Furthermore, A Link Between Worlds did this in a similar way regarding the order in which you could visit dungeons.
2. It is hard to tell whether or not the horse Link is riding is Epona or not, due to lacking evidence. But the horse from the trailer seems to be a change in the structure of the body and has a darker coat than Epona in previous titles.

Epona in Twilight Princess
Epona in Twilight Princess
Mystery Horse in Trailer

In addition, the function of the horse seems to have made a change as well. We can see what appears to be a shield, which resembles the round shield in Skyward Sword, and the bow and arrow off to one side of the horse. images We can also see to the other side of the horse what appears to be a satchel, the machanized arrow, and possibly a sheath of a sword. By having the horse wear a satchel and a backpack, this could suggest that the horse could manage and store your quest items as you travel throughout the land, kind of like the banking system used in Skyward Sword. 

It is also suggested that the horse can be used to execute certain attacks on large enemies as seen when the horse give Link a boost to launch an arrow at the enemies’ eye.

EAGLE!!!

3. Aonuma did say that he wanted to keep the convention of battling tough enemies in peaceful environments. However this doesn’t mean it will stay a peaceful enivironment through the course of the game. Possible evidence for this speculation comes from this quote made after the E3 2014 announcement.

“Many people from the media kept asking me if the footage from the new Zelda game for Wii U is just a promotional movie, but that really is actual gameplay on Wii U.”
 It is my personal speculation that this quote and from the looks of the trailer, that the game may feature some sort of destructive environment. tumblr_n6yk2sh3ng1qcbq9jo2_r1_500 This is indicated by the destruction of the bridge and one of the large Mayan-looking rock structures in the background as the monster smashes into it. 7664dOP This is also seen in the first reveal of the monster with the destruction of the grass surrounding, in what I can assume to be Hyrule field. tumblr_n6yk2sh3ng1qcbq9jo3_r1_500
However, Aonuma made no indication if the entire Zelda Wii U trailer was actually gameplay or if only a part of it was, so it is still to early to tell if this is a valid expectation.
4. Link appears to be wearing a unique wardrobe. All of it borrowing from different cultures within the Zelda universe.
He is wearing a blue tunic, similar to his pajamas in Wind Waker, at first glance. But besides the color scheme and the possibility of it being a starter costume, it bears no further similarities. The pattern around the collar is most similar to the waves the patterns on Groose’s pants in Skyward Sword. But overall, the pattern is too common to other swirly designs to really narrow down.
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He also appears to be wearing Gerudo styled gauntlets, in particular it resembles Ganondorf’s. Link is missing the blue squares in exchange for a blue-green line, but this may be just to distinguish him from Ganon.
Gerudos
He also is wearing a mysterious looking dark cloak that has a crest that may indicated where Link is from. The color scheme and style of the cloak is very reminiscent of some of the clothing that we’ve seen both Sheikah and Ganondorf wear. However, the iconography on the back of Link’s cloak in the trailer does not match up with any of the designs on cloaks we’ve seen in the past.
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Link also appears to be a dominate archer. Though there is a small sheath that is visible right side of the horse near his backpack, we have no further information of his sword skills and may be a lesser game mechanic than in previous Zelda games. But it does beg the question, could he be some kind of hunter or charter? It would make sense considering his eclectic attire, but it is still too early in the development to tell or confirm.
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But since we are on the topic of Link’s bow, it just looks like the Hero’s Bow from the last few console iterations, with the same bird-beak shapes around the grip. Where things get interesting are the arrows. One thing that is very interesting is that this attachment looks like it was tied on to the arrow and not the arrow itself, suggesting Link may be able to craft new and interesting arrow types.
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Link’s arrows also appear to be highly advanced and mechanized and using some type of magic or electricity, much like the robots in Lanayru Skywards Sword. Like the mechanized creature he is fighting, they also resemble connected circle motif that we’ve seen from steampunk type characters and artifacts from areas in Lanayru in Skyward Sword.

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In addition, Link’s quiver, has a red ‘U’ shape, which we’ve seen before in the Lanayru Province in Skyward Sword, which coincidentally is where the Gerudos eventually set up shop by Ocarina of Time. With all these potential links to Lanayru and Gerudos, do you think that is where Link originates from in this title?

It is also to be noted that, Link appears to be a teenager in this incarnation. However we can not confirm what this all means in regards to timeline or storyline.
5. We can also assume that the map and HUD’s will appear on the gamepad. This speculation is supported by the cinematic and beautiful gameplay in the E3 trailer, notice that there are no visible HUDs or maps on screen. Also, Aonuma was very fond of this feature and had implemented it within the Zelda Wind Waker HD remake, so it would make sense that they had their development team dedicate that much time for that feature. Again, it is still to be reveal what the use of the gamepad will be.
Overall
Based on the information we have gathered it is sure to be a well crafted game and I am so hyped for this game to come out. Nintendo has announced that they will be attending gamescom, which I highly suspect that we will have more information or trailer of the new Zelda title in August. So only time will tell what we can expect further from this new Zelda title. I will hopefully be covering this in a timely fashion when more information is released. And as always stay thirsty my bros.
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