A Quiet Review

 

A good horror movie knows how to set an atmosphere. It doesn’t rely solely on jump-scares, loud noises, and manipulative music. A good horror movie knows that fear of the unknown and things that we do not see can be much more effective than overly-creepy imagery shoved right in your face.

A Quiet Place feels more like a suspenseful thriller than a horror film – more akin to Jaws and Cujo rather than A Nightmare on Elm Street or The Exorcist – but even so, John Krasinski and his team make it wonderfully creepy as well.

The premise is simple: aliens that hunt almost exclusively by sound have landed on Earth, decimating most of the U.S. population in a matter of days. It is unclear how many other countries around the world have also fallen. One small group of survivors is the Abbott family, and they adapt to the new, hostile environment around them by making as little sound as they possible can. Luckily for them, they are all fluent in ASL, as the daughter Regan is deaf.

This leads to the most interesting aspect of the film: 80% of the dialogue is unspoken. Background music is also used sparingly, at least in comparison to most other movies.

Admittedly, this is somewhat of a gimmick. Regardless of genre, most movies have speaking all throughout, so A Quiet Place stands out and markets itself on that standing. But the reason for the silence in the film’s universe doesn’t feel cheap or poorly thought-out. Rather the reverse; I think its implementation is actually very clever.

 

It reminds me of what I learned in school; when it comes to human beings communicating, about 93% of what we convey, intentionally or not, is non-verbal. It’s very engaging to watch, and I’ll tell you why:

The tension in every scene is organic, as even the most minor things can draw the creatures to the family. Regan is particularly at risk because she can’t hear her own noises, let alone those of the approaching aliens. A toy falling off of a shelf could result in an attack, so the father, played by Krasinski, is almost constantly alert, trying to keep his children out of danger. They can’t even eat with silverware anymore, out of fear that the clinking could attract attention.

The setup and other little details in the beginning are given to viewers though visuals; newspapers, scribbled notes, actions, etc. The film requires the audience to pay attention and deduce things on their own; what does this information mean for the characters in the moment, and what does it mean for them in the long run? Even small things like what the kids have replaced their original Monopoly tokens with shows you how fearful and devoted to safety they are. As always, some things are up to your individual interpretation, but the story is by no means unclear as it unfolds.

The characters are likeable. That seems like a weird compliment, I’m sure, but you would be surprised how many horror films within the last decade have boiled down to “stupid, rude teenagers or twenty-somethings go somewhere secluded to party and something comes after them.” Despite speaking very little, the actors conveys a lot of emotion with facial expressions, body language, touch, and proximity. Krasinksi is particularly good at this; it’s what made him a fan favorite on The Office.

 

This is not to say that the characters have no negative traits. They are just very sympathetic, portrayed in a very human and understandable way. It is easy to believe that they would feel or react the way that they do, especially for the kids. They are clearly mature for their age, and even more for this apocalyptic situation, but not so mature that they understand and support all of their parents’ choices. Everyone has a hang-up of some sort, just like in real life.

The Abbott family is not quiet Spielberg-ian, but I like them and want to see them survive, which I would argue is damn near crucial in a good horror film.

Also, it’s interesting to me that John Krasinski and Emily Blunt are actually husband and wife. They have really good chemistry onscreen, so their married life must be pretty good as well. I guess if you’re not an actor though, it’s probably not a good idea to cast family members in leading roles. Right, Kevin Sorbo?

And speaking of “Christian films”, there is at least one religious theme that gets brought up in A Quiet Place. It seems to be very pro-life, but it’s not explicit or in-your-face-preachy about it. That’s exactly what I want from a movie: subtlety. Nuance. Almost a suggestion, but it makes you think, rather than just shouting down opposing opinions and definitively saying that yours is “right.” Again, looking at you, Kevin Sorbo and Sean Hannity. Let There Be Light was pure, propagandistic crap, and I say that as a self-proclaimed Christian, your target demographic.

But I digress. That film was unintentionally horrifying.

 

A Quiet Place is a thrill in theatres. It left me wanting more when it was over, but better that than wanting less. Just make sure you find a quiet place to watch it. Talking is super disruptive and annoying during a movie like this.

 

8/10

*Note: None of the images used in this post belong to me.

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